
Corelli - Concerti Grossi, Op.

WALTON VIOLIN CONCERTO OP SERIES
He is aided by a sure-footed Bramwell Tovey, who knows when to give his soloist room and when to press on.Brooklyn Ryder performed as part of the Celebrity Series at GBH’s Calderwood Studio in Boston. The recorded sound is rich, and allows Ehnes both to sound clear of the orchestra and to conduct dialogues within it. His playing is always clear and his tone beautifully focused, even in extremis.
WALTON VIOLIN CONCERTO OP FULL
Along with the melodies, of course, come the pyrotechnics, and Ehnes at full virtuoso tilt is a splendid thing to hear, in the energetic high spirits of Korngold’s finale, the deliberately all-but-impossible demands of Barber’s Presto in moto perpetuo, and the intricate flights of the Walton, written to give Heifetz a lot of runs for his money. Britten : Violin Concerto Op.15 & Walton : Viola Concerto Album has 6 songs sung by Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra. Allegro moderato, Violin Concerto in D Minor. Richard Rodney Bennett’s Concerto for Violin and Orchestra (1975) 8. Escucha Sibelius & Walton Violin Concertos de Akiko Suwanai en Deezer. Henri Dutilleux’s Violin Concerto Larbre des Songes (1983-1985) 7. Walton (1902-1983)Violin concerto (1938-1939)movement 1 (begin): Andante tranquilloWALTON, William (1902-1983)Mvt1(begin). Walton / Shostakovitch: Paul Tortelier with Bournemouth Symphony Orchestra conducted by Paavo Berglund. In these two very good 20th century violin concertos, everything is captured realistically from the whispering violins at the start of the Sibelius concerto,to some impressive climaxes without even a hint of digital edge or only complaint would be that. Throughout all these concertos he manages simultaneously to luxuriate and to carry the music forward the musical direction is always clear, and each movement is firmly structured. William Walton’s Violin concerto (1938-1939) 5. Akiko Suwanai plays Heifetz´s old 'Strad' close to perfection IMO. Ehnes sweeps into its generous opening melody with élan, but also, crucially, with a sure sense of pace. Oddly, although the CD cover puts Barber first, it is Korngold who first appears (an embarrassing trap for the unwary?).

James Ehnes’s glowing tone and melodic eloquence are nigh-on ideal in these lush works, all of them wearing their romantic credentials with pride, all written by composers who could spin one fine tune after another.

Nearly 79 minutes of wonderful playing: CDs rarely come more generous than this. Piers Burton-Page with a personal recommendation from recordings of Waltons Violin Concerto. Walton & Barber: Violin Concertos 12.00 Walton’s Violin Concerto was composed during a stay at the stunning Villa Cimbrone on Italy’s Amalfi coast, and reflects this environment in different ways some more apparent than others (the 2nd movement is based on a ‘tarantella’, after Walton suffered a tarantula bite whilst there). Musicians: James Ehnes (violin) Vancouver Symphony Orchestra, Bramwell Tovey (conductor) SAMUEL BARBER (1910-1981) Concerto for Violin and Orchestra, Op.
